2019 |
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| Metamorfosi (film/installation) work in progress |
Metamorfosi (performance/installation) work in progress Olivia Moon photography) |
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2017/2018 |
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| SCALE | ||
2015/2016 |
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| Becoming Undone | Opia | |
2014/2015 |
2013/2014 |
2012/2013 |
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| Becoming Undone | Soaked | Past is Prelude |
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| I AM HERE NOW | Echo | |
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2011/2012 |
2010/2011 |
2008/2009 |
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| LEFT | High Rise | Depart |
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| Esperanza por el Agua | ||
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2007 |
2006 |
2005 |
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| crisalida sin salida | abandon | Adoration of the Moon |
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| piel contra piel | Casi una Fantasia | |
| Psychosomatic Injury: Held Up by a Window, Looking Through a Door |  |
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| Phobos | ||
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| Con los Ojos Vendados | ||
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2004 |
2003 |
2002 |
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Insurgency |  |
| Rootless Cypresses Mavro Dynamic Stillness | Sculpture in Transition | |
2001 |
2000 |
1999 |
| Duet | Girls with Balls | The Locked Room |
2019
Metamorfosi (work in progress)
Metamorfosi is a multi-disciplinary performance installation which will have a strong components of performance and video in a performance installation setting. Currently a 3 minute excerpt of one of the video components was awarded “Official Section” status at XSection film festival.
2015/2016
“Becoming Undone”
Presented as part of the Choreography Residency awarded to Artistic Director, Callie Chapman, Becoming Undone was rethought and reworked into a multi-media performance centered on themes of the unraveling of the self in it’s infinite ways. Originally created in 2014, the 2016 version has underwent changes which ultimately served the work in a more susinct way.
Dancers: Danielle Davidson, Yue Ru Ma, Mary Teuscher, Andrea Rios, Caroline Carbo, and Gina Masciarelli were joined by Matt Samolis (on flute) portraying an inner world of yielding to introspection and visual specticle. Lighting design: Paul Marr. Projection/Direction: Callie Chapman. Made possible with a residency grant from the Boston Center for Arts.
BCA Residency Showcase – Zoe Dance – Becoming Undone Highlights from Linden Tree Productions on Vimeo.
photo: Steve Wolkind
“Opia”
Created as part of the Dance Complex CATALYSTS series, “Opia” is a multi-part dance-film/performance installation that was performed in a gallery-like setting as well as on a traditional stage.
2014/2015
“Becoming Undone”
With a visual array of bodies in motion, projection, and light, becoming UNDONE will tantalize your experience by letting you roam to digest this work from different angles and vantage points.
The unraveling of becoming through building, broken narrative, and continuous engagement.
Dancers: Caroline Carbo, Gina Masciarelli, Danielle Davidson, Andrea Rios and Mary Teuscher
Directed by: Callie Chapman
Lighting: Stephen Petrilli
2013/2014
“Soaked”
Illuminus Festival 2014
Oct. 25
500 Harrison Ave.
in the BSC Pool
Zoe Dance was selected as one of the finalists in the first ever Illuminus Festival in Boston. The bold, new festival is going to take place in and around 500 Harrison Ave. in Boston on Oct. 25. We are honored to be a part in a very fitting (and very exciting) opportunity to showcase our work alongside many other top-notch projection artists.
Our new piece, entitled “Soaked” will integrate underwater live video streaming from inside the pool at the Boston Sports Club’s pool on Harrison Ave. Audience members will watch from the windows to inside the pool deck as the performers immerse themselves in the water and on the pool deck playing out fantasies and surreal dreamscapes of the live streaming (from under the water) and pre-recorded images.
The Illuminus Festival was able to secure ll the “stuff” to make this piece a reality. The festival is unable at this time to secure the necessary funds to pay the people.
So we are reaching out to YOU!
I AM HERE NOW
Feb 28 + March 2 and March 21 + 23
(Fridays and Sundays)
The Dance Complex
Featuring performances by: MaryRose Blandino, Caroline Carbo, Callie Chapman, Romina Delosantos, Gina Masciarelli, Arthur Moore, Kathleen Nasti, Lonnie Stanton, Yuka Takahashi + Mary Teuscher, “I AM HERE NOW” is a multimedia and movement portrait of the way we live … now. Through series of distraction in our daily lives our focus is taken from one stimulus to another until the silence and darkness is no longer there. I AM HERE NOW uses video projection to aid in the performance’s imagry
Past is Prelude
March 1, 2 + 3
The Dance Complex
Performers: Naoko Brown, Yuka Takahashi, Joe Gonzalez, Ivan Korn, Wayne Ong + Lonnie Stanton
$17 General Admission, $15 BDA Members, Students and Seniors. *Show us your restaurant receipt from a participating restaurant/night venue and get $2 off admission
Using video projection, recorded video, live video feed and a black voile scrim, Past is Prelude explores the many facets of memory and it’s role on the individual, society and within human history. All of
this played out within 50 minutes to allow for a “night out” experience for the audience (i.e. dinner, dancing, etc.)
LEFT
Club Oberon with expandance NYC + IRL
Jan. 22 + 23, 2012
The Dance Complex
Sept 9, 10 +11
High Rise
Outdoor Performance, Union Sq., Somerville
Funded in part by the Somerville Arts Council with support from local area businesses.
Depart
Outdoor Performance, Union Sq., Somerville
part of Accumulation Dance
Green Street Stdios, November, 2008
(Somerville Theatre, July)
Choreoraphy: Callie Chapman Korn
Performers: Sarah Ackley, Catherine Murcek, Ivan Korn + Callie Chapman
crisalida sin salida
(The Dance Complex, July)
Performers: Callie Chapman, Sarah Ackley, Catherine Murcek + Joe Burgio
(Institute of Contemporary Art, May)
Choreoraphy: Callie Chapman Korn
Performers: Ivan Korn + Callie Chapman
abandon
(Cambridge Multicultural Arts Center, September 29 +30)
Choreoraphy: Callie Chapman Korn
Performers: Sarah Ackley, Tamara Butts-Sullivan, Ivan Korn, Jon Peck + Mehrin Heuston
“…centers on the shift from physical awareness to introspection. As children, we revel in the body. As adults, we might find ourselves in a whole host of eccentric mental loop statements. Sound familiar?
Certainly some of that is going to be messy territory, and portions of Korn’s dance reflect that confusion…
Danced with striking engagement by Korn along with company members Sarah Ackley, Tamara Butts-Sullivan, Ivan Korn and Jon Peck, the clarity vacillates from scene to scene.” – The Boston Herald
piel contra piel
(Dance Complex, March 31 + April 1)
Choreography: Ivan Korn
Performers: Tamara Butts-Sullivan, Callie Chapman Korn, Jon Peck + Ivan Korn
Psychosomatic Injury: Held Up by a Windon, Looking through a Door (Dance Complex, March 31 + April 1)
Choreography + Performance: Callie Chapman Korn
abandon [work in progress] (Dance Complex, March 31 + April 1)
Choreography: Callie Chapman Korn
Peformers: Tamara Butts-Sullivan, Callie Chapman Korn, Ivan Korn, Jon Peck + William Weaver
2005 
GrAce (Dance Complex, June 3+4)
Choreography: Callie Chapman
Performers: Ashley Williams, Jon Peck, Ivan Korn, Andrea Cheatham
” five dancers made their way slowly around a large pool of water in which they would eventually be baptized and redeemed, except for Korn, who sort of dissolves into the water by the finish.
The live choreography is a variation of the filmed version, which runs simultaneously. Everything spirals unto itself, and by the conclusion the viewer feels as if he, too, has been pulled into the scenario and purified.” – The Boston Herald
Adoration of the Moon
(Dance Complex, June 3+4)
Choreography: Ivan Korn
Performers: Andrea Cheatham, Ivan Korn + Tamara Butts Sullivan
“…Korn’s beautifully crafted trio “Adoration of the Moon” (his dances boast tight structure, clearly related to his background as a composer) ” – The Boston Herald
Casi una Fantasia
(Dance Complex, June 3+4)
Choreography/Performance: Callie Chapman + Ivan Korn
“The opening work “Casi una Fantasia” was an ironic duet in binary form, sort of a honeymoon night gone sour. With her long hair and compelling features, Chapman has a stunning Pre-Raphaelite appearance. She can easily play the predator, though. In a white wedding dress with red petticoat underneath and a garish rose in her hair, she flung Korn around, sat on him, anything to rouse him out of his drunken stupor. Halfway through the roles reversed. ” – The Boston Herald
Phobos
(Dance Complex, June 3+4)
Choreography: Callie Chapman, Film: Greg Shea and Ken Kinna [BRoll Films]
Performers: Emily Beattie, Kate Luceck, Callie Chapman. Ivan Korn, Lyla Denhart + Dorienne Grumbach.
Con los Ojos Vendados
(Shared Choreographers Concert, Dance Complex, January 9 +10)
Choreography/Performance: Callie Chapman + Ivan Korn
Rootless Cypresses
(Choreographers Group, Cambridge Multicultural Arts Center, Jan. 9+10)
Choreography: Callie Chapman
“…Chapman Korn, whose fluid trio “Rootless Cypresses” stood out for its captivating erotic undercurrent.
The scenario gives an impression of the young and the restless dancing out themes from Jean-Paul Sartre’s “No Exit” in the courtyard of the Taj Mahal, all of it seamlessly constructed.” – The Boston Herald
Mavro
(Dance Renewal Project, Dance Complex, July)
Choreography: Callie Chapman
Dynamic Stillness
(Dance Renewal Project, Dance Complex, July)
Choreography: Callie Chapman
Performers: Laura Teeter, Juliana Tilbury + Stephanie Sherman
Insurgency
(Dance Complex, May 16 & 17)
Choreography: Callie Chapman
From What Falls Above
(Massachusetts College of Art, February 1)
Choreography: Callie Chapman
Formalities Of
(Massachusetts College of Art, February 1)
Choreography: Callie Chapman + Ivan Korn
Sculpture in Transition
(The Boston Common, August 5)
Choreography: Callie Chapman
Sach Variation
(Earthdance, August 31)
Choreography: Callie Chapman
Harumeni Ora
(The Boston Conservatory, April 21)
Choreography: Callie Chapman
Quiet Force
(The Boston Conservatory, April 21)
Choreography: Callie Chapman
nesortezpas
(The Boston Conservatory, April 21)
Choreography: Callie Chapman
Duet 
(The Boston Conservatory, April 12)
Choreography: Callie Chapman
Philai
(Green Street Studios, February 10)
Choreography: Callie Chapman
Girls with Balls
(The Boston Conservatory, April 15)
Choreography: Callie Chapman
The Locked Room
(The Boston Conservatory, March 19)
Choreography: Ivan Korn